The shortlist for this year’s Booker Prize has been announced, and after bragging about doing relatively well in predicting the longlist, I only managed to guess two of the six shortlisted titles correctly.
I think that this is an intriguing list, and I will be attempting to read them all ahead of the winner being announced on 17 October. Wish me luck!
4 3 2 1 by Paul Auster (US) (Faber & Faber)
On March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four Fergusons made of the same genetic material, four boys who are the same boy, will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and intellectual passions contrast. Chapter by chapter, the rotating narratives evolve into an elaborate dance of inner worlds enfolded within the outer forces of history as, one by one, the intimate plot of each Ferguson’s story rushes on across the tumultuous and fractured terrain of mid twentieth-century America. A boy grows up-again and again and again.
As inventive and dexterously constructed as anything Paul Auster has ever written 4 3 2 1 is an unforgettable tour de force, the crowning work of this masterful writer’s extraordinary career.
History of Wolves by Emily Fridlund (US) (Weidenfeld & Nicolson)
Fourteen-year-old Linda lives with her parents in an ex-commune beside a lake in the beautiful, austere backwoods of northern Minnesota. The other girls at school call Linda ‘Freak’, or ‘Commie’. Her parents mostly leave her to her own devices, whilst the other inhabitants have grown up and moved on.
So when the perfect family – mother, father and their little boy, Paul – move into the cabin across the lake, Linda insinuates her way into their orbit. She begins to babysit Paul and feels welcome, that she finally has a place to belong.
Yet something isn’t right. Drawn into secrets she doesn’t understand, Linda must make a choice. But how can a girl with no real knowledge of the world understand what the consequences will be?
Exit West by Mohsin Hamid (Pakistan-UK) (Hamish Hamilton)
An extraordinary story of love and hope from the bestselling, Man Booker-shortlisted author of The Reluctant Fundamentalist.
Nadia and Saeed are two ordinary young people, attempting to do an extraordinary thing – to fall in love – in a world turned upside down. Theirs will be a love story but also a story about how we live now and how we might live tomorrow, of a world in crisis and two human beings travelling through it.
Civil war has come to the city which Nadia and Saeed call home. Before long they will need to leave their motherland behind – when the streets are no longer useable and the unknown is safer than the known. They will join the great outpouring of people fleeing a collapsing city, hoping against hope, looking for their place in the world . . .
Elmet by Fiona Mozley (UK) (JM Originals)
Fresh and distinctive writing from an exciting new voice in fiction, Elmet is an unforgettable novel about family, as well as a beautiful meditation on landscape.
Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy built for them with his bare hands. They foraged and hunted. When they were younger, Daniel and Cathy had gone to school. But they were not like the other children then, and they were even less like them now. Sometimes Daddy disappeared, and would return with a rage in his eyes. But when he was at home he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn’t true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew.
Atmospheric and unsettling, Elmet is a lyrical commentary on contemporary society and one family’s precarious place in it, as well as an exploration of how deep the bond between father and child can go.
Lincoln in the Bardo by George Saunders (US) (Bloomsbury)
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven-year-old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln’s beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns to the crypt several times alone to hold his boy’s body.
From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying. Willie Lincoln finds himself trapped in a transitional realm – called, in Tibetan tradition, the bardo – and as ghosts mingle, squabble, gripe and commiserate, and stony tendrils creep towards the boy, a monumental struggle erupts over young Willie’s soul.
Unfolding over a single night, Lincoln in the Bardo is written with George Saunders’ inimitable humour, pathos and grace. Here he invents an exhilarating new form, and is confirmed as one of the most important and influential writers of his generation. Deploying a theatrical, kaleidoscopic panoply of voices – living and dead, historical and fictional – Lincoln in the Bardo poses a timeless question: how do we live and love when we know that everything we hold dear must end?
Autumn by Ali Smith (UK) (Hamish Hamilton)
Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour-hit of Pop Art (via a bit of very contemporary skulduggery and skull-diggery), Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.
Autumn is the first instalment in Ali Smith’s novel quartet Seasonal: four standalone books, separate yet interconnected and cyclical (as the seasons are), exploring what time is, how we experience it, and the recurring markers in the shapes our lives take and in our ways with narrative.
From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in timescale and light-footed through histories, and a story about ageing and time and love and stories themselves.
What do you think? A good shortlist? Are there any novels that you thought might make it through that didn’t?