And here it is! This year’s Man Booker Prize longlist has been announced, and it has proved to be as unpredictable as ever! As I said I would be, I’m kicking myself for not including Warlight by Michael Ondaatje, and From a Low and Quiet Sea by Donal Ryan appeared on so many iterations of my predictions list, but unfortunately not the final one!
Snap by Belinda Bauer (Bantam Press)
SNAP DECISIONS CAN BE DANGEROUS…
On a stifling summer’s day, eleven-year-old Jack and his two sisters sit in their broken-down car, waiting for their mother to come back and rescue them. Jack’s in charge, she’d said. I won’t be long.
But she doesn’t come back. She never comes back. And life as the children know it is changed for ever.
Three years later, Jack is still in charge – of his sisters, of supporting them all, of making sure nobody knows they’re alone in the house, and – quite suddenly – of finding out the truth about what happened to his mother…
Milkman by Anna Burns (Faber & Faber)
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes ‘interesting’. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.
Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.
Sabrina by Nick Drnaso (Granta Books)
WHERE IS SABRINA?
The answer is hidden on a videotape, a tape which is en route to several news outlets, and about to go viral.
A landmark graphic novel, already hailed as one of the most exciting and moving stories of recent years, Sabrina is a tale of modern mystery, anxiety, fringe paranoia and mainstream misinformation — a book that tells the story of those left behind in the wake of tragedy, has important things to say about how we live now, and possesses the rare power to leave readers pulverised.
Washington Black by Edi Edugyan (Serpent’s Tail)
When two English brothers take the helm of a Barbados sugar plantation, Washington Black – an eleven year-old field slave – finds himself selected as personal servant to one of these men. The eccentric Christopher ‘Titch’ Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him.
Titch’s idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape the island together, but then then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible.
From the blistering cane fields of Barbados to the icy wastes of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness and mystery of life. Inspired by a true story, Washington Black is the extraordinary tale of a world destroyed and made whole again.
In Our Mad and Furious City by Guy Gunaratne (Tinder Press)
For Selvon, Ardan and Yusuf, growing up under the towers of Stones Estate, summer means what it does anywhere: football, music, freedom. But now, after the killing of a British soldier, riots are spreading across the city, and nowhere is safe.
While the fury swirls around them, Selvon and Ardan remain focused on their own obsessions, girls and grime. Their friend Yusuf is caught up in a different tide, a wave of radicalism surging through his local mosque, threatening to carry his troubled brother, Irfan, with it.
Provocative, raw, poetic yet tender, IN OUR MAD AND FURIOUS CITY marks the arrival of a major new talent in fiction.
Everything Under by Daisy Johnson (Jonathan Cape)
Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of sixteen, though – almost a lifetime ago – and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature.
A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water – a canal thief? – swimming upstream, getting ever closer. In the end there will be nothing for Gretel to do but go back.
Daisy Johnson’s debut novel turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, Everything Under is a story of family and identity, of fate, language, love and belonging that leaves you unsettled and unstrung.
The Mars Room by Rachel Kushner (Jonathan Cape)
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women’s Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And her seven-year-old son, Jackson, now in the care of Romy’s estranged mother.
Inside is a new reality to adapt to: thousands of women hustling for the bare essentials needed to survive. The deadpan absurdities of institutional living, which Kushner details with humour and precision. Daily acts of violence by guards and prisoners alike. Allegiances formed over liquor brewed in socks, and stories shared through sewage pipes.
Romy sees the future stretch out ahead of her in a long, unwavering line – until news from outside brings a ferocious urgency to her existence, challenging her to escape her own destiny and culminating in a climax of almost unbearable intensity. Through Romy – and through a cast of astonishing characters populating The Mars Room – Rachel Kushner presents not just a bold and unsentimental panorama of life on the margins of contemporary America, but an excoriating attack on the prison-industrial complex.
The Water Cure by Sophie Mackintosh (Hamish Hamilton)
Imagine a world very close to our own: where women are not safe in their bodies, where desperate measures are required to raise a daughter. This is the story of Grace, Lia and Sky, kept apart from the world for their own good and taught the terrible things that every woman must learn about love. And it is the story of the men who come to find them – three strangers washed up by the sea, their gazes hungry and insistent, trailing desire and destruction in their wake.
The Water Cure is a fever dream, a blazing vision of suffering, sisterhood and transformation.
Warlight by Michael Ondaatje (Jonathan Cape)
In a narrative as mysterious as memory itself – at once both shadowed and luminous – Warlight is a vivid, thrilling novel of violence and love, intrigue and desire. It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.
The Overstory by Richard Powers (William Heinemann)
The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers – each summoned in different ways by trees – are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest.
There is a world alongside ours – vast, slow, interconnected, resourceful, magnificently inventive and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
The Long Take by Robin Robertson (Picador)
A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable – and unclassifiable – books of recent years.
Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish. The Dream had gone sour but – as those dark, classic movies made clear – the country needed outsiders to study and dramatise its new anxieties.
While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it – yet resolved to find kindness again, in the world and in himself.
Watching beauty and disintegration through the lens of the film camera and the eye of the poet, Robin Robertson’s The Long Take is a work of thrilling originality.
Normal People by Sally Rooney (Faber & Faber)
Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years.
This is an exquisite love story about how a person can change another person’s life – a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us – blazingly – about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney’s second novel breathes fiction with new life.
From a Low and Quiet Sea by Donal Ryan (Doubleday)
Farouk’s country has been torn apart by war.
Lampy’s heart has been laid waste by Chloe.
John’s past torments him as he nears his end.
The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.
I’ve read From a Low and Quiet Sea, and really enjoyed it – you can see my review here.
And there you have it! What do you think? Is there anything you think is missing from the list?
The long-awaited novel from the Pulitzer Prize-winning author of A Visit from the Goon Squad, Manhattan Beach opens in Brooklyn during the Great Depression. Anna Kerrigan, nearly twelve years old, accompanies her father to the house of a man who, she gleans, is crucial to the survival of her father and her family. Anna observes the uniformed servants, the lavishing of toys on the children, and some secret pact between her father and Dexter Styles.
A dazzlingly original debut set in Dublin, London and New York, exploring the ethical underbelly of contemporary society through the coming-of-age of an utterly singular heroine: Gael Foess
An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing examines the ugly truths at the heart of the American story and the power – and limitations – of family bonds.
